Pamela Masik with her portrait of Julie Young, one of many giant portraits of the women missing from the Downtown Eastside, at her studio in Vancouver, B.C., January 28, 2010.
Photograph by: Arlen Redekop, PNG
VANCOUVER — A high-profile British Columbia museum has caved in to pressure from First Nations and women’s groups and censored one of Canada’s most prominent artists.
The University of B.C.’s Museum of Anthropology had scheduled for next month a 69-painting exhibit depicting women murdered and missing from Vancouver’s Downtown Eastside. Robert Pickton has been convicted of slaughtering six of them, and admitted to an undercover policeman that he killed dozens more.
“The Forgotten” is a series of 69 2 1/2-by-three-metre oil paintings by acclaimed Vancouver artist Pamela Masik. Museum director Anthony Shelton and Vancouver Mayor Gregor Robertson last year announced the show, each lauding Masik’s contribution to public understanding about the issue of gender-based violence, and the tragic fate of Vancouver’s murdered and missing women.
“This is a part of our city that we cannot close our eyes to, that we will not cover up,” Robertson said at the event.
Shelton told the crowd he’d been “completely destroyed” when he first saw Masik’s “extraordinary” paintings. The university community fully supported the show, which would “mark a new juncture in the history of the museum and a level of social commitment that I hope we will be able to preserve.”
Although the university created several lectures and courses around the exhibit, museum officials announced Wednesday that the show was cancelled.
“I saw my role as an artist to bear witness to the 69 women who were marginalized, went missing and many, ultimately who were murdered, not just by the hands of a serial killer but by our society viewing these women as inconsequential,” Masik said Wednesday.
“There are still missing and murdered women all over Canada and it’s going to continue to happen until we acknowledge our role in making this happen. How do we create change if we can’t even talk about it? (MOA is) kind of manifesting exactly what happened in the Downtown Eastside: We don’t see it, we don’t talk about it.”
Estimates on the number of First Nations women among the murdered and missing range from 30 to 50 per cent.
Shelton would not answer directly when asked if the museum ran up against opposition from First Nations and women’s groups. He said feedback about the planned show was “neither opposition nor support, it was kind of a committed way of trying to figure out how we could make this work.”
But museum was indeed facing vociferous opposition.
“‘The Forgotten’ does nothing to stop the violence against women in this community. It exoticizes them and turns them into commodities to promote the ‘Masik brand,’” Corinthia Kelly, an organizer of the annual Women’s Memorial March in the Downtown Eastside, wrote in an email to Shelton. “It is very offensive to many of these families (of missing and murdered women) that the image of their beloved daughters, mothers, sisters and aunties has been stolen and used by this ambitious artist to further her own career.”
Memorial March Committee member Gloria Larocque said Wednesday the show would have made Masik the “spokesperson” for aboriginal women’s issues, denying the efforts and voice of aboriginal and Downtown Eastside women, as well as causing pain to family members of the murdered and disappeared. Larocque said she and Kelly had been meeting with museum and university faculty to get the show shut down, with no success. But when it became clear to museum officials that aboriginal women in the Downtown Eastside were unwaveringly opposed to the exhibit, the museum agreed to cancel it, Larocque said.
Shelton, however, said museum lacked enough time for “developing the appropriate methodology” for ensuring the success of the show by bringing on-side groups who would collaborate by such means as showing films.
“We wanted it to be a catalyst for all kinds of other events around it,” Shelton said. Also, the exhibit “would kind of create greater suffering among the families” of missing and murdered women, Shelton said.
Masik plans to find a venue for the show, preferably in Ottawa. “I want to show it where decisions are made, and then later take it international.”
Vancouver Province
No comments:
Post a Comment